Microbial Fuel Cells (Design Study) Essay Example | Topics and Well Written Essays - 1500 words - 1

Microbial Fuel Cells (Design Study) - Essay Example We are, today, faced with an extraordinary situation in which the world population has reached a stage where the conventional sources of energy like fossil fuels have been depleted so much that there is little hope for the coming generations to be able to harness any of it. Therefore, there is an urgent need to discover sustainable sources of energy that will not only help in reducing the carbon footprint but can also be replicated in the developing nations. A literature review on such alternative sources of energy revealed that microbial fuel cells, which employ microorganisms to biodegrade pollutants from the environment to generate electricity, are a novel method of reclaiming natural resources along with providing a new means of generating energy. This design study will be an effort towards determining the cost-efficiency of traditional MFCs versus a simple, single chambered MFC comprising of cheaper components. The purpose of the experiment will be to popularize the inexpensive MFCs and show if scaled up, they can present a low-price energy source, which will at the same time be used for bioremediation of water resources polluted by effluents. Microbial fuel cells work on the principle that some microorganisms called electricigens produce electricity while metabolizing wastewater for their sustenance. The MFC consists of a semi-permeable membrane or cation exchange membrane that allows ions to pass through them but not the microbes; two electrodes, usually the cathode is made up of platinum and the anode is carbon graphite or carbon cloth. It is fitted by a wire to complete the external circuit (Microbal Fuel Cell, 2008). Wastewater is made to flow through the anaerobic compartment and the bacterial metabolic action on the wastewater allows electrons to become free and the cell starts conducting electricity. To compare the electricity outputs

Civic Punishment or Private Revenge Case Study Example | Topics and Well Written Essays - 2500 words

Civic Punishment or Private Revenge - Case Study Example A presentation of the fragmented accusations of Euphiletus' accusers will be offered in order to clarify some of the rhetorical strategies that Euphiletus' utilizes in his defense speech. Finally, some concluding remarks on how adultery, crimes of passion and homicide were understood then and now. There is some evidence to suggest that the ethical internals of Euphiletus' defense were intended to generate sympathy among the judges (Herman 407). By presenting himself as deceived husband and victim, Euphiletus is attempting minimally to provide an emotional basis for his desire to kill Eratosthenes. This is important for if Euphiletus wanted to portray himself as an Athenian gentleman whose moral composition represented the mainstream of Hellenistic society, then his act represents the logical consequence of a man whose wife has been caught in flagrante delicto with another man. If it was the case that such an act could not have been conscionable under such conditions then the Euphiletus' strategy would be counterproductive as his demeanor would be interpreted as the manifestation of a morally eccentric minority. However, it is not to suggest that Euphiletus wished to portray himself as a jealous husband fueled with righteous and murderous rage. Rather, at every step as will be shown later he presents himself a mediated actor of the law, merely the hand of the law rather than its head or heart. In fact, he wishes to show that Eratosthenes was not murdered but executed by him and was only done so by him on mere coincidence that it was his wife with whom Eratosthenes had slept (Harris 365). Thus, Euphiletus wishes to draw out the tensions inherent in two antithetical codes of conduct: 1) an older, de-centralized, tribal one in which honor and vengeance played integral roles and 2) a more evolved centralized code of conduct in which democratically endorsed values were mutually agreed upon and enforced communally (Herman 408). By engendering a feeling of vengeance while simultaneously negating its causative role in this act, Euphiletus paradoxical strategy gives a path in which the Athenian judges can acquit Euphiletus on the grounds that the act was one of civic punishment while concomitantly acknowledging the obvious vengeful passions that were aroused duri ng the incident itself. He begins by laying out the task before him, which is to convince the jury that Eratosthenes' killing was prompted by the debauchery of his wife via seduction and the disgrace tendered therein and for no other reason, " that this was the one and only enmity between him and me; that I have not acted thus for the sake of money" (Lamb 1.4). It is important that money or other enmity do not prefigure in any manner for Euphiletus' case, as that would have invalidated the laws for which the type of justified homicide he wished to claim happened. If indeed money or other enmity figured in this case, as his accusers had apparently tried to impute, it would simply be premeditated murder in

George Berkeley And Empiricism Analysis Philosophy Essay

George Berkeley And Empiricism Analysis Philosophy Essay Empiricism is the doctrine that knowledge derives from experience. One very important philosopher to empiricism is George Berkeley. Berkeley denies the existence of material substances and says that existence of substances is depended on perception. In his famous Three Dialogues, he introduces characters Philonous and Hylas whose names ironically mean love of intellect and matter. As the First Dialogue starts, Hylas calls Philonous a skeptic by his definition one who doubts of everything or who denies the realty and truth of things (pg.219, The Empiricist) he soon gets Hylas to admit that he too is a skeptic. Philonous breaks everything down into two groups either having: primary qualities (qualities that can be measured) and secondary qualities (sensible qualities). In the following pages Berkeley goes on to prove that there is no inherit qualities within a material substance that makes it a material substance, and everything is viewed through perception. For example, a cherry is a cherry because it is red, sweet, round etc. But all those things are not innate things that are a cherry. They are sensible qualities because we see, taste, and feel that the cherry is red, sweet and round. Even though we all agree that before us is a cherry, we all will find that we have different perception about whether on not the cherry is sweet or bitter. Anything that is arbitrary is perception. His point was that if it is without being perceived, then it cannot be proven. In order to know a thing exists, we must perceive them. Berkeley also set out to prove that primary qualities only exist in our minds. His proof of this is that an object perceived by two different people could be larger or smaller, depending on how big that person actually is. For example a foot to me may seem moderately long, but a foot to a 6 foot person may seem really short. Hence, extension is not inherent in the object. He also gives the example of motion and how speed is measured by an internal clock In the Second Dialogue, Berkeley introduces Monism (everything is reduced to one), Dualism: 1) thinking (substance pilot) 2) physical material (substance machine), and Idealism (only perceiving minds and perceptions exist). This is where Philonous brings God into the equation because he needs a cause for our sensible ideas. His argument of causation is as follows: 1) sensible ideas must be caused by some spirit 2) I am not the cause of my sensible ideas 3) There must be some other spirit that causes my sensible ideas. Therefore, there is a God. His argument of Perception then is: 1) sensible things cannot exist without being perceived 2) sensible things exist independently of my perceptions 3) there must be some other perceiver. Therefore God is the perceiver. He goes on to say that since were purely passive in our perceptions and God is purely active, it is God that excites ideas in our minds. In the Third Dialogue, Hylas asks how idealism can distinguish a dream from reality (since they are both depending on the mind). Philonous answers him by saying that dreams and products of the imagination are faint and dependent on the will; sense impressions are livelier and do not depend on the will. Hylas also brings up the fact that if God is the author of all things, he would also be the author of evil; Philonous says that evil doesnt exist outward, only inward and that we are in control of our own wills. At first I found Berkley very convincing in his arguments about perception, but as with other philosophers, when he gets to the existence of God, their argument falls apart. The thought of God exciting all our ideas through our souls is a bit strange. Yes all perceptions have to be first perceived by God, and that God had to have an idea of us doing something for it to actually happen is crazy. I dont agree with Berkeleys use of God, but I dont necessarily agree that God just created the world and people in it and steps away from it (Descartes, Meditations); there has to be some type of middle ground. If you fuse the philosophies of Descartes and Berkeley, I believe that one could come up with something more believable, its just too hard to believe that God does everything because in a sense your saying that God who is all powerful and omnipresent uses us to act here on Earth, which is absurd since we are finite and he is infinite. I didnt quite get Berkeleys concept that God is all active and first perceives us doing things before we do them because is flawed. If that were true, you would have to infer that God is also the author of evil. If God perceives everything we do before we do it and everything we do our first His ideas, then he would be able to stop evil doings. What Berkeley says about us being in control of our own wills would have to be false because if that were true, we would be in control of our own perceptions in my opinion. It just seems that if that were true, then everything we did would be in a sense godly, and that obviously isnt true. It makes perfect sense to me that are senses play a big role in how we view the world around us, but although he was convincing in that concept I, couldnt help but thinking that Hylas had a lot of good points also. There must be something innate in objects that make them the objects they are, or else we why would we need to name the objects to discern one from another? I thought that Berkely had a good theory, but it wasnt realistic, although convincing. If I cant agree with Berkeleys use of God, then his whole theory starts to starts to fall apart because hes using God as a sort of cushion for his concept, but I dont think he uses God in the right way. Because Berkely is a bishop, he cant be really objective when it comes to God. He already has preconceived thoughts, and for philosophy to work one needs to dispel all previous conceptions on all subject matter, but obviously he cant because of his vocation. This is where his argument on God is flawed. I believe that the reason why philosopher arguments get confusing or nonsensical when it comes to God is because I believe that back then religion was uniform. Taboo to go against it, whereas now we have many. Many religions open up many different ways of viewing God. I believe this is important when it comes to philosophy because philosophy is most broadly defined as love and pursuit of wisdom by intellectual means and moral self-discipline. You cant truly have self exploration without being willing to accept new things or at least the possibility of new things. In conclusion, I could not agree with Berkeleys idealisms, but they did make me think about they way I view the world. At the end of the day, I feel that personal biases will always get in the way of the way we perceive.

Menace II Society and Colonization :: essays research papers

â€Å"A crooked childhood it's what the way I am, It's got me in the state where I don't give a damn, Somebody helped me but now they don't hear me, I guess I be another victim of the ghetto So I guess I gotta do what so I ain't finished I grew up to be a streiht up menace, geah.† -â€Å"Streiht Up Menace† by MC Eiht   Ã‚  Ã‚  Ã‚  Ã‚  The song lyrics above are from the soundtrack of the film Menace II Society and correspond directly to the hardships that people are given when growing up in the ghetto and when surrounded by a life of violence. Because they know nothing other than this aggressive and brutal way of life, they continue this violent cycle and rarely break away to begin a new way of life. Twin brothers Albert and Allen Hughes direct the film. The Hughes began making movies at age 12, but their formal film education began their freshman year of high school when Allen took a TV production class. They soon made a short film entitled How To Be A Burglar and people began to take notice. Their next work, Uncensored Videos, was broadcast on cable, introducing them to a wider audience. After high school, Albert began taking classes at the Los Angeles Community College Film School. Two short films established the twins’ reputation as innovative filmmakers and allowed them to direct Menace II Society (1993), which made its world premiere at the Cannes Film Festival and grossed nearly 10 times as much as its $3 million budget. After following up with Dead Presidents (1995) they directed the feature-length documentary American Pimp (1999). From the very first scene, detailing Caine and O-Dog's fatal armed robbery of a Korean market, violence is cruelly graphic. â€Å"In this instance, the film succeeds in painting a disturbing picture of violence, one in which the characters' lack of remorse, rather than stylistic convention, shapes and colors the horror of the image.† Although most of the violence is filmed realistically and unfolds in real time, the Hughes can't seem to resist stylizing some of the more important narrative events. Thus, while the robbery introduces violence, O-Dog's shooting of the Korean market owner is shown directly only further into the story, when black and white images of the store's stolen surveillance video are played and replayed for the entertainment of Caine, O-Dog, and their friends. While an innovative means of conveying action, the video becomes nothing more than a diversion.

Demo: Wrap a Present

Demo Speech: How to Wrap a Present Introduction I. Open with Impact: At some point in your life you have probably either received or given a gift that looked something like this. (Hold up poorly wrapped gift. ) Nobody wants to be that person at the party with the gift that gets mistaken for trash. When giving a gift to someone it is important to put just as much thought into the gift wrapping as the gift buying. II. Connect with Audience: You may be thinking, but I don’t always have time to make my gift look professionally wrapped. Or, I don’t have the money to go out and buy the supplies I need to wrap a gift.III. Establish Impact: I am guilty of giving the ugliest gift at the party before and I know how it feels. Thankfully, I have changed my ways and learned that gift wrapping is not as intimidating as it seems. IV. Thesis: With just a little extra effort, your gift can be something you are proud to present. V. Preview Main Points: Today, I am going to show you how t o find inexpensive wrapping materials, properly wrap your gift with ease, and complete the look with some finishing touches. Transition: Now before we start, we are going to need some basic materials. Body I. Picking out the paper A.We want to be as cost effective as possible, but we still need enough materials to wrap for all those random family members and friends. 1. The most inexpensive paper can be found at your local discount store. 2. Go to your local dollar tree and pick out your favorite print or solid color wrapping paper. B. Other useful materials 1. You will want to pick out a spool of ribbon for the finishing touch. 2. You are also going to need scissors and clear tape. Transition: Now that we have all of our materials together, let’s get to wrapping. II. Wrapping the present A. Measure your paper 1. Place the gift in the unrolled paper. . Bring the paper up around the gift until you have enough paper to cover the gift. 3. Cut the paper so that you have about an inch of wrapping paper overlapping. 4. Move the box to the edge of the paper so that both sides will reach about halfway up the sides. Repeat this on the other side of the box as well then cut off any excess paper. B. Time to tape 1. Wrap the paper around the box until the paper overlaps and secure with the clear tape. 2. Make sure the box is centered inside the paper then fold the sides until the paper overlaps. Tape the flaps using the clear tape. C. Finishing Touches 1.Measure your ribbon by wrapping it around the present and leaving about 6 inches in excess and cut it. 2. Hold the middle of the ribbon at the top of the gift and wrap the ends around the bottom of the present. 3. Bring the ends through the loop and tie your best bow! 4. Turn the gift over and tape the ribbon to avoid it slipping out of place while being moved around. Transition: Once your gift is perfectly wrapped, you can also add other personal touches such as a decorative name tag or extra ribbon. Conclusion I. I hope that I have shown you that wrapping a gift does not have to be intimidating.There are many inexpensive ways to wrap your gifts and add unique touches. With just a little practice, you can soon become a gift wrapping pro. Don’t be that person with the trash bag gift. Impress everyone with your new gift wrapping skills! Works Cited Banner, Chrissa. How to Perfectly Wrap a Present. 2008. Web. 9 Nov 2012. http://crafts. slides. kaboose. com/105-how-to-perfectly-wrap-a-present/2 Alissa, . â€Å"Christmas Wrappings. †Ã‚  33 Shades of Green. Pinterest, 16 2009. Web. Web. 9 Nov. 2012. .

Why People Commit a Crime?

It was often asked and researched throughout the years of why people commit a crime. As the opposed question came about, theorist came out with their theories of why people commit a crime. I believe people commit crime because they are learning it from the influences in their life and because the person or persons is a very important aspect in their lives it leads to the process of why people commit a crime. This connects to Sutherland's theory of Differential Association, but while it does connect to Sutherland's theory this paper will focus on the social learning theory that Aker mentions and has further research of the subject of crime. Micro-Level Learning theory has been advanced by many theorist over the years such as the theorist Sutherland. If I were to test the theory of social learning, specifically micro-level learning theory I would examine the relationships with peers preferably intimate relationships with friends and family. Only then when viewing the intimate relationships, I would see the person learn the techniques of committing crime and what's considered in the text â€Å"definitions†. When mentioning â€Å"definitions† it's what is favorable and unfavorable toward violation of the law. Now, for the theory to be accurate I have to find things that support or amongst the search if it undermines the theory at hand. The theory had one major concern that undermines the accuracy of the theory. The theory does not give a good description of the favorable and unfavorable to crime. It was because that the description of the theory was first described by Sutherland than a few others, until it lead to Akers. There has been many theorists who tried to define the definitions more precisely. It was treated as different theories, but the main one I want to focus on is the social learning theory. Since there has been many theorist who focused for example, control theory it became difficult to find the theory that is more acceptable. Another concern that was mentioned was that the theory failed to describe the process of how crime is learned. Akers did however, did draw from psychology to get a better aspect of the behavior and the social learning process. The process comes in three steps as said by Akers. First, an individual learn beliefs that define crime as desirable or justifiable. He goes more in depth saying these beliefs lead to crime. The second process is that people engage in crime because are reinforced into that situation, meaning it could be peer pressure (a negative reinforcement) or the individual could receive a reward for participating in the crime. The last process is that people imitate the criminal behavior of others, which is the intimate relationship the individual has with them. The process of learning crime as shown through most studies which shows that associating with family and/or friends that exhibit criminal behavior, comes out more often throughout most of the studies. This was taken as a strong evidence to support the social learning theory, however, even though it had the correlation numerous researchers argued against it. The researchers argued that the correlation doesn't mean that the association with criminal family or friends cause criminal behavior in the individual. Even saying that as well there has been strong support to back up the social learning theory. It is said that the origin of the support stems from research solely based off of experiments being conducted such as surveys or field work studies. From all the information that has been researched and conducted has shown the support of the theory and also the facts that undermine the theory. If I were to make the theory more accurate I would say that an individual associating themselves with a delinquent family member influences the individual to commit or take part in criminal activities. This combined theory now becomes more accurate to the research that has been conducted by the theorists. The theory itself needs a lot more research that needs to be conducted, but with the improved version of the theory will lead to a more stronger support of the social learning theory.

In the trailer of Drag me to hell, the first scene in the trailer is of a freeway suggesting the film will be based around a lot of people and a busy environment Essays

In the trailer of Drag me to hell, the first scene in the trailer is of a freeway suggesting the film will be based around a lot of people and a busy environment Essays In the trailer of Drag me to hell, the first scene in the trailer is of a freeway suggesting the film will be based around a lot of people and a busy environment Essay In the trailer of Drag me to hell, the first scene in the trailer is of a freeway suggesting the film will be based around a lot of people and a busy environment Essay In the trailer of ‘drag me to hell’, the first scene in the trailer is of a freeway suggesting the film will be based around a lot of people and a busy environment; The first sight of our main character is a slim blond lady who is likely to be the subject of a victim typical to a horror film. She is driving a car portraying she is a working woman and independent. The next scene is of her and her manager having a conversation on a promotion position. The shoulder shot portrays her blouse which is not revealing, her attire comes against the male gaze theory which explains how media portrays women as vulnerable through their appearance. However this young lady holds a secure job in the city, she drives and dresses sensible. The main character does not following her heart into giving the woman the mortgage but instead declines her from it. This shows that her work has taken over her life as she seeks for promotion. As the scene changes, change in non-diegetic sound is heard. In the car park the main character is alone with just two cars. This implies she is very vulnerable in that situation in case she was to be in danger. The climax hits when the main character is being attached by the old lady in the previous scene. Close up is identified as the main character’s face is shown to be in horror by the old lady’s attack. The long shot is shown as the main character is being dragged out of her car by the old woman. This is also another connotation to why the title of the film could be â€Å"drag me to hell†. It is also unusual for a woman in horror movie to be the course of the killing and moreover to be an old lady with so much strength. Through this the audience can see that the old woman is supernatural in a sense or perhaps she has a demon within her. The conventions are twisted and subverted as the young lady who is meant to be naturally stronger then the much older woman is actually the victim and the weaker one. Furthermore the young lady is a total opposite to the old lady in the film. Diegetic sound is heard as the wind passes by almost slowing time when the old lady pulls a button from the main character’s coat holding it close to her face and the lighting hitting it as if it is a source of power. The low angle on the main character makes her seem inferior and vulnerable compared to the old lady. This shot fits in with the male gaze because even though the main character is independent in her life style and how she lives, she is still seen as weak and vulnerable physically. In the trailer near the ending there is a dialogue she has with a man telling her the demon will not leave her till â€Å"she burns in hell for eternity† this brings forward enigma code to whether she survives or not even though most horror film the blond girl dies.

Various Aspects Relating to the Balanced Meal

Various Aspects Relating to the Balanced Meal Introduction Most people love to consume their favorite meals from time to time. However, there is the need to evaluate a meal in terms of its nutrients. It is advisable to take a meal that comprises of a balanced diet. Thus, an individual is expected to incorporate, protein, vitamins, carbohydrate and fiber in their diet.Advertising We will write a custom essay sample on Various Aspects Relating to the Balanced Meal specifically for you for only $16.05 $11/page Learn More One of the best meals that meet all the above requirements encompasses Ribeye steak, mashed potatoes, green beans, peach pie and Folgers coffee. Thus, a person can be confident of having consumed a balanced diet if they consume a meal encompassing the above foods. This write up highlights various aspects relating to the above foods. Methods of production Ribeye steaks can be locally obtained from Rock Springs, Wyoming. Purchases are done by making an order. Ribeye steak is produced by entr epreneurs who sell ready meat to the local outlets. Rearing of beef animals requires a farmer to have massive pieces of land so that there is a constant supply of animal feed. In some instance, overgrazing can cause degradation of the land. If animal waste is not managed properly during livestock operations, it can contribute to water contamination (Gauldie, 1981). Folgers coffee is grown on large farms, harvested at maturity and transferred to processing factories. The steps that are involved in its preparation include; fermentation, shelling and drying. It is then classified into; classical roasts, flavored coffee, instant coffee, home cafe and cappuccino. This coffee is also locally available. Green beans are grown for their flavor, flesh and sweet pods. Cultivation of the same is done in greenhouses. This ensures that the growing conditions are controlled to maximum yields. Furthermore, locally grown Green beans have a good taste compared to the imported ones. Mashed potatoes ob tained from the local market are inexpensive when compared to those obtained from other regions of the world (New cook book, 2005). This is because the cost of production and distribution is low. Therefore, it is preferable to obtained potatoes locally rather than importing the same.Advertising Looking for essay on health medicine? Let's see if we can help you! Get your first paper with 15% OFF Learn More Peach pie is a product that is prepared by incorporating peaches and wheat flour. The flour is prepared, and peaches incorporate into the dough. This is then followed by topping up and finally baking in an oven. Baking is done, and the product is removed from the oven once it turns golden. It is then allowed to cool before being sliced. Processing and packaging Ribeye steak is extremely flavorful and tender. Good quality Ribeye steak is prepared by grilling with pepper, salt and garlic powder. It is then processed by pan searing for two minutes on both side s in a skillet at high temperatures; this helps in locking juices that contribute to flavor. Beef obtained from the rib steak is grilled and boiled for seven minutes to produce remarkable quality Ribeye steak. The normal color of stored Ribeye should remain purplish-red. Processed Ribeye steak is vacuum packed using aluminum foils (North American Meat Processors Association, 2007). Green beans are stored inside plastic packages and placed in refrigerators but, they must be prepared and consumed within five days (North American Meat Processors Association, 2007). Alternatively, the processing of green beans can involve blanching, canning, and freeze storing. In most cases, green beans are prepared by boiling and stir-frying. Further, mashed potatoes are peeled and sliced prior to cooking using high temperature short time combinations. On the other hand, peach pie is a baked, cooled and sliced before being wrapped in plastic bags. Likewise, Folgers coffee is prepared by boiling water and mixing it with sugar and instant Folgers coffee. Substitutes Ribeye steaks can be substituted with cheese steaks. Substitutes for mashed potatoes include; cauliflower, turnips, rutabagas and celeriac. The most appropriate substitute to green beans is long beans. Long beans hold up heat well and retain crisps on the inside making them ideal in the preparation of stir-fries. The substitute for Folgers coffee can be other beverages such as chocolate and tea. Economic advantages and disadvantages of the meal The greatest economic advantage of Ribeye steak is that, it is served in smaller sizes than the average steak sold in restaurants and supermarkets. However, Ribeye steak has soaring cholesterol levels. Mashed potatoes are rich in dietary fiber and sodium.Advertising We will write a custom essay sample on Various Aspects Relating to the Balanced Meal specifically for you for only $16.05 $11/page Learn More Besides, they are rich sources of starches, prot eins and vitamins (Wilson, 2009). Green beans are good sources of calcium, potassium and dietary fiber. Additionally, they have high amounts of vitamin A. Ecological advantages and disadvantages Proper usage of unproductive land involves rearing beef animals. The remains of animals are used as manure in farms. There is the likelihood that soil fertility is improved through the use of animal manure. Growing of peaches, green bean, and Folgers coffee depletes soil nutrients. However, this can be improved by the use of nitrogenous fertilizers. Moreover, processing of the above product involves the production of wastes that pollute the environment. A positive attribute to this is the purification of gases by plants. Systems associated with production of Ribeye steaks leads to increased carbon dioxide cases. This leads to global warming. Besides, complaints concerning obesity have been raised as a result of meat products. Impact of food purchases on environment Increased agricultural act ivities contribute to climate change. Waste food in landfills contributes to about 2% of green house emissions. High concentrations of chemicals in landfills find their way to the surrounding water sources causing pollution (Harrison, Cheyney, Overstreet, Towns Stetzer, 2008). Lastly, food manufacturing is a serious emitter of greenhouse gases that cause environmental degradation all over the world. When land alteration and broad food structure are taken into account, the entire contribution of food possibly will be as high as 30%. This implies that the long-term consequences of climate change, food manufacturing and production must turn to be tough to climate and low-carbon sustainability. Change of choices with time Food purchasing power is influenced by the income levels of consumers. Production and marketing processes should be cost effective to reduce the cost on the ultimate consumer. Emerging concerns over fitness and health will also influence food choices in the future. On es ethnic and cultural background will dictate their food choices (North American Meat Processors Association, 2007).Advertising Looking for essay on health medicine? Let's see if we can help you! Get your first paper with 15% OFF Learn More Individuals are aware of the impact of some of the processes involving food processing. There is the likelihood that people will boycott products that pollute the surroundings. Therefore, people are cautions on the food that they consume. This has affected purchasing and consumption patterns of most consumers. People prefer foods that do not harm them and their environment. References Gauldie, R. (1981). Beyond the fields: Cesar Chavez, the UFW, and the struggle for  justice in the 21st century. Berkeley: University of California Press. Harrison, R., Cheyney, T., Overstreet, D., Towns, E. L., Stetzer, E. (2008). Spin-off  churches: How one church successfully plants another? Nashville, Tenn.: B H Academic. New cook book. (2005). Des Moines, Iowa: Better Homes and Gardens Books. North American Meat Processors Association. (2007). the meat buyers guide: Beef,  lamb, veal, pork, and poultry. Hoboken, N.J: Wiley. Wilson, P. (2009). Yesterdays mashed potatoes: The fabulous life o f a happy has-been. Indianapolis, IN: Dog Ear Publishing.

A Dirty Job Chapter 27

â€Å"So, checking your appointments?† she said. â€Å"You must be feeling optimistic about how things will go.† He shook his head. â€Å"Not really.† Lily was smitten. He was beautiful and morose – like a great brown man-gift from the gods. â€Å"How bad can it be?† Lily said, pulling the appointment book out of his hand and flipping through the pages. She stopped on today’s date. â€Å"Why is Asher’s name in here?† she asked. Minty hung his head. â€Å"He said you’ve known all about us for a while.† â€Å"Yeah, but – † She looked at the name again and the realization of what she was seeing was like a punch in the chest. â€Å"This is that book? This is your date book for that?† Minty nodded slowly, not looking at her. â€Å"When did this name show up?† Lily asked. â€Å"It wasn’t there an hour ago.† â€Å"Well, fucksocks,† she said, sitting down on the bar stool next to the big man. â€Å"Yeah,† said Minty Fresh. He put his arm around her shoulders. With Charlie pulling on the legs of the bobcat guy (who was doing some impressive screaming considering he had prototype vocal cords) and the squirrel people dog-piling onto the Boston terrier, they were eventually able to extricate their lieutenant from the jaws of the bug-eyed fury with only a few snags in his Beefeater’s costume. â€Å"Down, Bummer,† Charlie said. â€Å"Just chill.† He didn’t know if chill was an official dog command, but it should be. Bummer snorted and backed away from the surrounding crowd of squirrel people. â€Å"Not one of us,† said the bobcat guy, pointing at Bummer. â€Å"Not one of us.† â€Å"You shut up,† Charlie said. He pulled a beef jerky from his pocket that he’d brought for emergency rations, tore off a hunk, and held it out to Bummer. â€Å"Come on, buddy. I told the Emperor I’d look out for you.† Bummer trotted over to Charlie and took the beef jerky from him, then turned to face down the squirrel people as he chewed. The squirrel people made clicking noises and brandished their weapons. â€Å"Not one of us. Not one of us,† chanted Bob. â€Å"Stop that,† Charlie said. â€Å"You can’t get a mob chant going, Bob, you’re the only one with a voice box.† â€Å"Oh yeah.† Bob let his chanting trail off. â€Å"Well, he’s not one of us,† he added in his defense. â€Å"He is now,† Charlie said. To Bummer he said, â€Å"Can you lead us to the Underworld?† Bummer looked up at Charlie as if he knew exactly what was being asked of him, but if he was going to find the strength to carry on, he was going to need the other half of that beef jerky. Charlie gave it to him and Bummer immediately jumped up to a higher, four-foot pipe, stopped, barked, then took off down the pipe. â€Å"Follow him,† Charlie said. After an hour following Bummer through the sewers, the pipes gave way to tunnels that got bigger as they moved along. Soon they were moving in caves, with high ceilings and stalactites in the ceiling that glowed in various colors, illuminating their way with a dull, shadowy light. Charlie had read enough about the geology of the area to know that these caves were not natural to the city. He guessed that they were somewhere under the financial district, which was mostly built on Gold Rush landfill, so there would be nothing as old-looking or as solid as these caves. Bummer kept on, leading them down one fork or another without the slightest hesitation, until suddenly the cave opened up into a massive grotto. The chamber was so large that it simply swallowed up Charlie’s flashlight and headlamp beams, but the ceiling, which was several hundred feet high, was lined with the luminous stalactites that reflected red, green, and purple in a mirror-smooth black lake. In the middle of the lake, probably two hundred yards away, stood a great black sailing ship – tall-masted like a Spanish galleon – red, pulsating light coming from the cabin windows in the rear, a single lantern lighting the deck. Charlie had heard that whole ships had been buried in the debris during the Gold Rush, but they wouldn’t have been left preserved like this. Things had changed, these caves were all the result of the Underworld rising – and he realized that this was just a hint of what was going to happen to the City if the Underworlders took o ver. Bummer barked and the sharp report echoed around the grotto, sending a cloud of bats into the air. Charlie saw movement on the deck of the ship, the blue-black outline of a woman, and he knew that Bummer had led them to the right place. Charlie handed his flashlight to Bob and set his sword-cane on the cave floor. He drew the Desert Eagle from the shoulder holster, checked that there was a round in the chamber, cocked the hammer, then reset the safety and reholstered the pistol. â€Å"We’re going to need a boat,† Charlie said to Bob. â€Å"See if you guys can find something we can make a raft from.† The bobcat guy started down the shore with Charlie’s flashlight, scanning the rocks for useful flotsam. Bummer growled, tossed his head like he had ear mites or perhaps to indicate that he thought Charlie was insane, and ran out into the lake. Fifty yards away he was still only in water up to his shoulder. Charlie looked at the black ship and realized that it was sitting way, way too high out of the water – that, in fact, it was sitting with its hull on the bottom in only about six inches of water. â€Å"Uh, Bob,† Charlie said. â€Å"Forget the boat. We’re walking. Everyone quiet.† He unsheathed his sword and sloshed onward. As they approached the ship they could make out details in its construction. The railings were fashioned from leg bones lashed together, the mooring cleats were human pelvises. The lantern on the deck was, in fact, a human skull. Charlie wasn’t exactly sure how his powers as Luminatus were going to manifest themselves, but as they reached the hull of the ship he found himself very much wishing it would happen soon, and that levitation would be one of the powers. â€Å"We’re fucked,† said Bob, looking up at the black hull curving above them. â€Å"We’re not fucked,† Charlie said. â€Å"We just need someone to climb up there and throw us a rope.† There was some milling around amid the squirrel people, then a lone figure stepped out of the little crowd – this one appeared to be a nineteenth-century French dandy with the head of a monitor lizard. His outfit – the ruffles and the coat – actually reminded Charlie of pictures that Lily had shown him of Charles Baudelaire. â€Å"You can do it?† Charlie asked the lizard guy. He held out his hands and lifted one foot out of the water. Squirrel paws. Charlie lifted the lizard guy as high as he could up to the hull, and the little creature caught ahold in the black wood, then scurried up the side of the ship and over the gunwale. Minutes passed, and Charlie found himself listening hard for some hint as to what was going on above. When the thick rope splashed down next to him, he leapt two feet in the air and barely contained blasting out a full-blown man-scream. â€Å"Nice,† said Bob. â€Å"You first, then,† Charlie said, testing the rope to see if it would hold his weight. He waited until the bobcat guy was about three feet over his head before he tucked the sword-cane down inside the Lexan plate strapped over his back and started the climb himself. By the time he was three-quarters of the way up the rope, he felt as if his biceps were going to pop like water balloons and he entwined his motocross boot into the rope to rest. As if being granted a second wind by the gods, his biceps relaxed and when he resumed climbing he felt as if he might really be gaining his power as the Luminatus. When he reached the railing, he grabbed one of the bone mooring cleats and swung himself up until he sat straddling the rail. He swung around and his headlamp caught the black shine in her eyes. She was holding the bobcat guy like an ear of corn, her claw driven through his skull, pinning his jaw shut. There was flesh and goo glowing dull red, running down her face and over her breasts as she tore another bite out of the Beefeater. â€Å"Want some, lover?† she said. â€Å"Tastes like ham.† At the breakfast bar in Charlie’s apartment, Lily said, â€Å"Shouldn’t we tell them?† â€Å"They don’t all know about us. About this.† Minty held the date book. â€Å"Just Audrey.† â€Å"Then shouldn’t we tell her?† Minty looked at Audrey, who was sitting on the couch entwined in a sleepy pile with Charlie’s sister and one of the hellhounds, looking very content. â€Å"No, I don’t think that would serve any purpose right now.† â€Å"He’s a good guy,† Lily said. She snatched a paper towel off the roll on the counter and dabbed her eyes before her mascara went raccoon on her again. â€Å"I know,† Minty said. â€Å"He’s my friend.† As he said it, he felt a tug on his pant leg. He looked down to where Sophie was staring up at him. â€Å"Hey, do you have a car?† she asked. â€Å"Yes, I do, Sophie.† â€Å"Can we go for a ride?† Without any hesitation, Charlie whipped the sword-cane out of his back and snapped it down on the Morrigan’s wrist. She lost her grip on the bobcat guy, who bolted, screaming, across the deck and over the opposite railing. The Morrigan grabbed the sword-cane and tried to wrench it from Charlie’s grasp. He let her – pulled the sword free, then drove it into her solar plexus so hard that his fist connected with her ribs and the blade came out her back, sinking into the wooden hull of the lifeboat she was reclining against. For a split second his face was an inch from hers. â€Å"Miss me?† she asked. He rolled away just as she slashed at him. He got his forearm up just in time to deflect the blow away from his face, the thick Lexan plate on his forearm stopping the claws from taking off his hand. She lunged for him, but the sword kept her pinned to the boat. Charlie ran down the deck away from her as she screeched in anger. He saw light coming from a door that must have led to the cabin at the aft of the ship – that same red glow – and he realized that it had to be coming from the soul vessels. Rachel’s soul could still be in there. He was only a step from the hatch when the giant raven dropped in front of him and spread her wings out across the deck, as if trying to block the whole end of the ship. He backpedaled and drew the Desert Eagle from the shoulder holster. He tried to hold it steady as he clicked off the safety. The Raven snapped at him and he leapt back. The beak then pulled back, changed, bubbled into the face of a woman – but the wings and talons remained in bird form. â€Å"New Meat,† said Macha. â€Å"How brave of you to come here.† Charlie pulled the trigger. Flame shot a foot out of the barrel and he felt as if someone had hit him in the palm with a hammer. He thought he had aimed right between her eyes, but the bullet had ripped through her neck, taking half of the black flesh with it. Her head lolled to the side and the raven body flailed its wings at him. Charlie fell backward onto the deck, but pulled the pistol up and fired again as the raven was coming down on him. This one caught her in the center of the chest and sent her flying backward, up onto the cabin roof. The ringing in his ears felt like someone had driven tuning forks into his head and hit them with drumsticks – a long, painful, high-pitched wail. He barely heard the shriek from his left as another Morrigan dropped out of the rigging behind him. He rolled to the railing and brought the gun up just as she slashed at his face. The gun and his forearm pad absorbed most of the blow, but the Desert Eagle was knocked from his grasp and slid down the deck. Charlie did a somersault to his feet and ran after the gun. Nemain flicked her claws at his back and he heard the sizzle as the poison strafed the Lexan pad down his spine and burned onto the deck on either side of him. He dove for the pistol and tried to roll and come up with it pointed at his attacker, but he misjudged and came up with the back of his knees against the bone railing. She leapt, claws first, and hit him in the chest just as he fired the Desert Eagle and he was driven backward over the railing. He hit flat on the water. The air exploded from his body and he felt like he’d been hit by a bus. He couldn’t breathe, but he could see, he could feel his limbs, and after a couple of seconds of gasping, he finally caught a breath. â€Å"So, how’s it going so far?† asked the bobcat guy, about two feet from Charlie’s head. â€Å"Good,† Charlie said. â€Å"They’re running scared.† There was a big chunk bitten out of the middle of Bob’s torso, and his Beefeater uniform was in tatters, but otherwise he seemed in good spirits. He was holding the Desert Eagle cradled in his arms like a baby. â€Å"You’ll likely need this. That last shot connected, by the way. You took off about half of her skull.† â€Å"Good,† Charlie said, still having a little trouble catching his breath. He felt a searing pain in his chest and thought he might have broken a rib. He sat up and looked at his chest plate. The Morrigan’s claws had raked the front of it, but in one spot he could see where a claw had slipped under the plate and into his chest. He wasn’t bleeding badly, but he was bleeding, and it hurt like hell. â€Å"Are they still coming?† â€Å"Not the two you shot. We don’t know where the one you stuck with your sword went.† â€Å"I don’t know if I can make it up that rope again,† Charlie said. â€Å"That may not be a _roblem,† Bob said. He was looking up to the ceiling of the grotto, where a whirlwind of squeaking bats was spiraling around the mast, but above them was beating the wings of another creature altogether. Charlie took the pistol from Bob and climbed to his feet, nearly fell, then steadied himself and backed away from the hull of the ship. The squirrel people scattered around him. Bummer let loose with a fusillade of angry yapping. The demon hit the water about thirty feet away. Charlie felt a scream rising in his throat but fought it down. The thing was nearly ten feet tall, with a wingspan of thirty feet. Its head was as big as a beer keg, and it appeared to have the shape and horns of a bull, except for the jaws, which were predatory, lined with teeth, like a cross between a shark and a lion. Its eyes were gleaming green. â€Å"Soul stealer,† it growled. It folded its wings into two high points behind its back, and stepped toward Charlie. â€Å"Well, that would be you, wouldn’t it?† Charlie said, a little breathless still. â€Å"I’m the Luminatus.† The demon stopped. Charlie took the hesitation to bring up the pistol and fire. The shot took the demon high in the shoulder and spun him to the side. He turned back and roared. Charlie could smell the creature’s breath, like rotting meat, wash over him. He backed up and fired again, his hand numb now from the recoil of the big pistol. The shot knocked the demon back a step. There was shrill cheering from above. Charlie fired again and again. The slugs opened craters in the demon’s chest. He wavered, then fell to his knees. Charlie aimed and pulled the trigger again. The gun clicked. Charlie backed up a few more steps and tried to remember what Minty had shown him about reloading. He managed to hit a button that released the clip from the pistol, which plopped into the water. Then he unsnapped one of the pouches under his arm to retrieve an extra clip. It slipped out and fell into the lake as well. Bob and a couple of the squirrel people splashed forward and started diving beneath the water, looking for the clip. The demon roared again, unfurled his wings, and, in one great flap, pulled himself to his feet. Charlie unsnapped the second clip and, with his hands shaking, managed to fit it into the bottom of the Desert Eagle. The demon crouched, as if to leap. Charlie jacked a shell into the chamber and fired at the same time. The demon fell forward as the huge slug took a chunk out of his thigh. â€Å"Well done, Meat!† came a female voice from above. Charlie looked up quickly, but then back to the bullheaded demon, who was on his feet again. Then he braced his wrist and fired, and again, walking forward, pumping bullets into the demon’s chest with each step, feeling any second as if his wrist would just shatter into pieces from the recoil, until the hammer clicked on an empty chamber. He stopped, just five feet away from the demon when it fell over, facefirst into the water. Charlie dropped the Desert Eagle and fell to his knees. The grotto seemed to be tilting before him, his vision tunneling down. The Morrigan landed on three sides of him. Each had a glowing soul vessel in her claw and was rubbing it on her wounds. â€Å"That was excellent, lover,† said the raven woman standing closest to the fallen demon. Charlie recognized her from the alley. The stab wound his sword had made in her stomach healed over as he watched. She kicked the bullheaded demon’s body. â€Å"See, I told you that guns suck.† â€Å"That was well done, Meat,† said the one to Charlie’s right. Her neck was still knitting back together. She was the one he’d blasted up onto the cabin roof. â€Å"You guys do bounce back with a certain Wile E. Coyote charm,† Charlie said. He grinned, feeling drunk now, like he was watching all this from another place. â€Å"He’s so sweet,† said the hand-job harpy. â€Å"I could just eat him up.† â€Å"Sounds good to me,† said the Morrigan to his left, whose head was still a little lopsided. Charlie saw the venom dripping from her claws, then looked to the wound below his chest plate. â€Å"Yes, darling,† said hand job, â€Å"I’m afraid Nemain did nick you. You really are quite the warrior to have lasted this long.† â€Å"I’m the Luminatus,† Charlie said. The Morrigan laughed, the one in front of Charlie did a little dance step. As she did, the bullheaded demon lifted his head from the water. â€Å"I’m the Luminatus,† said the demon, black goo and water running between his teeth as he spoke. The Morrigan stopped dancing, grabbed one of the demon’s horns, then pulled his head back. â€Å"You think?† she said. Then she plunged her claws into the demon’s throat. He rolled and threw her off, sending her sailing twenty feet in the air to smash into the hull of the ship. The Morrigan behind Charlie patted his head as she passed. â€Å"We’ll be right with you, darling. I’m Macha, by the way, and we are the Luminatus – or we will be in a minute.† The Morrigan fell on the bullheaded demon, taking great chunks of flesh and bone off his body with each slash of their talons. Two took to the air and swept in, taking swipes at the demon, who flailed at them, sometimes connecting, but too weakened from the gunshots to fight effectively. In two minutes it was finished, and most of the flesh had been flayed from it. Macha held his head by the horns like she was holding the handlebars of a motorcycle, even as the demon’s jaws continued to snap at the air. â€Å"Your turn, soul stealer,† Macha said. â€Å"Yeah, your turn,† said Nemain, baring her claws. Macha held the demon head out in front of her, driving it at Charlie. He backed away as the teeth snapped inches from his face. â€Å"Wait a minute,† said Babd. The other two stopped and turned to their sister, who stood over what was left of the demon’s corpse. â€Å"We never got to finish.† She took one step before something hit her like a ball of darkness, knocking her out of sight. Charlie looked at the demon head coming at him, then there was a loud smack and Macha was yanked to the side as if she’d had a bungee cord attached to her ankle. The screeching started again and Charlie could see the Morrigan being whipped around in the darkness, splashing, and chaos – he couldn’t follow what was happening. His eyes wouldn’t focus. He looked to Nemain, who was now coming at him with her claws dripping venom. A small hand appeared at the edge of his vision and the Morrigan’s head exploded into what looked like a thousand stars. Charlie looked to where the hand had appeared before his eyes. â€Å"Hi, Daddy,† Sophie said. â€Å"Hi, baby,† Charlie said. Now he could see what was happening – the hellhounds were tearing at the Morrigan. One of them broke, jumped into the air and unfurled her wings, then dove at Sophie, screeching. Sophie raised her hand as if she was waving bye-bye and the Morrigan vaporized into a spray of black goo. The souls, thousands of them, that she had consumed over the millennia, floated into the air, red lights that circled the grotto, making the whole huge chamber appear to have been frozen in the middle of a fireworks display. â€Å"You shouldn’t be here, honey,† Charlie said. â€Å"Yes, I should,† Sophie said. â€Å"I had to fix this, send them all back. I’m the Luminatus.† â€Å"You†¦Ã¢â‚¬  â€Å"Yeah,† she said matter-of-factly, in that Master of All Death and Darkness voice that is so irritating in a six-year-old. The hellhounds were both on the remaining Morrigan now, tearing her in half as Charlie watched. â€Å"No, honey,† Charlie said. Sophie raised her hand and Babd was vaporized like the others – the captured souls rose like embers from a bonfire. â€Å"Let’s go home, Daddy,† Sophie said. â€Å"No,† Charlie said, barely able to hold up his head. â€Å"We have something we have to get.† He lurched forward and one of the hellhounds was there to brace him. The whole army of squirrel people was coming around the bow of the ship, each carrying a glowing soul vessel he’d retrieved from the ship’s cabin. â€Å"Is this it?† Sophie said. She took a CD from Bob and handed it to Charlie. He turned it in his hands and hugged it to his chest. â€Å"You know what this is, honey?† â€Å"Yeah. Let’s go home, Daddy.† Charlie fell over the back of Alvin. Sophie and the squirrel people steadied him until they were out of the Underworld. Minty Fresh carried Charlie to the car. A doctor had come and gone. When Charlie came to he was on his bed at home and Audrey was wiping his forehead with a damp cloth. â€Å"Hi,† he said. â€Å"Hi,† Audrey said. â€Å"Did Sophie tell you?† â€Å"Yeah.† â€Å"They grow up so fast,† Charlie said. â€Å"Yeah.† Audrey smiled. â€Å"I got this.† He reached behind his chest plate and pulled out the Sarah McLachlan CD that pulsated with red light. Audrey nodded and reached out for the disc. â€Å"Let’s put that over here where you can keep an eye on it.† As soon as her fingers touched the plastic case the light went out and Audrey shuddered. â€Å"Oh my,† she said. â€Å"Audrey.† Charlie tried to sit up, but was forced back down by the pain. â€Å"Ouch. Audrey, what happened? Did they get it? Did they take her soul?† She was looking at her chest, then looked up at Charlie, tears in her eyes. â€Å"No, Charlie, it’s me,† she said. â€Å"But you had touched that before, that night in the pantry. Why didn’t it happen then?† â€Å"I guess I wasn’t ready then.† Charlie took her hand and squeezed it, then squeezed it much harder than he intended as a wave of pain washed through him. â€Å"Goddammit,† he said. He was panting now, breathing like he might hyperventilate. â€Å"I thought it was all dark, Audrey. All the spiritual stuff was spooky. You made me see.† â€Å"I’m glad,† Audrey said. â€Å"Makes me think I should have slept with a poet so I could have understood the way the world can be distilled into words.† â€Å"Yes. I think you have the soul of a poet, Charlie.† â€Å"I should have made love with a painter, too, so I could feel the wave of a brushstroke, so I could absorb her colors and textures and really see.† â€Å"Yes,† Audrey said, brushing at his hair with her fingers. â€Å"You have such a wonderful imagination.† â€Å"I think,† said Charlie, his voice going higher as he breathed harder, â€Å"I should have bedded a scientist so I would understand the mechanics of the world, felt them right down to my spine.† â€Å"Yes, so you could feel the world,† Audrey said. â€Å"With big tits,† Charlie added, his back arching in pain. â€Å"Of course, baby,† Audrey said. â€Å"I love you, Audrey.† â€Å"I know, Charlie. I love you, too.† Then Charlie Asher, Beta Male, husband to Rachel, brother to Jane, father to Sophie (the Luminatus, who held dominion over Death), beloved of Audrey, Death Merchant and purveyor of fine vintage clothing and accessories, took his last breath, and died. Audrey looked up to see Sophie come into the room. â€Å"He’s gone, Sophie.† Sophie put her hand on Charlie’s forehead. â€Å"Bye, Daddy,† she said. EPILOGUE THE GIRLS Things settled in the City of Two Bridges, and all the dark gods that had been rising to erupt out over the world remembered their place and returned to their domains deep in the Underworld. Jane and Cassie were married in a civil ceremony that was dissolved and sanctioned a half-dozen times over the years. Nevertheless, they were happy and there was always laughter in their home. Sophie went home to live with her Aunties Jane and Cassandra. She would grow to be a tall and beautiful woman, and eventually take her place as the Luminatus, but until then, she went to school and played with her puppies and had a fairly wonderful time as she waited for her daddy to come get her. THE SHOPKEEPERS While Minty Fresh had believed in the adage that in every moment there is a crisis, his belief had been somewhat academic until he started seeing Lily Severo, when it became very practical indeed. Life jumped up several steps for him on the interesting scale, to the point where the Death Merchant part of his existence became the more prosaic of his pursuits. They became renowned around town, the giant in pastels always in company with the short, Gothic chef, but the City really stood up and took notice when they opened up the Jazz and Gourmet Pizza Place in North Beach in the building that had once housed Asher’s Secondhand. As for Ray Macy, Inspector Rivera set him up with a lady pawnbroker from the Fillmore named Carrie Lang, and they hit it off almost immediately, having in common a love of detective movies and handguns, as well as a deep mistrust for most of humanity. Ray fell deeply in love, and true to his Beta Male nature, was doggedly loyal to her, although he always secretly suspected her of being a serial killer. RIVERA Inspector Alphonse Rivera has spent most of his life trying to change his life. He’d worked in a half-dozen different police departments, in a dozen different capacities, and although he was very good at being a cop, he always seemed to be trying to get out. After the debacle with the Death Merchants and the strange, unexplainable things that had gone on around it, he was simply exhausted. There had been a brief time when he’d been able to leave police work and open a rare-book store, and he felt as if that might have been the only time he had ever truly been happy. Now, at age forty-nine, he was ready to try it again: take an early retirement and just read and live in a calm, unevent-filled world of books. So he was somewhat pleased when, two weeks after the death of Charlie Asher, he went to his mailbox to find a substantial envelope that could only be a book. It was like an omen, he thought as he sat down at his kitchen table to open the package. It was a book – what looked like a very rare and bizarre children’s book. He opened it and turned to the first chapter. So Now You’re Death: Here’s What You’ll Need. THE EMPEROR The Emperor enjoyed a happy reunion with his troops and went on to rule benevolently over San Francisco to the end of his days. For leading Charlie into the Underworld, and for his boundless courage, the Luminatus gave Bummer the strength and durability of a hellhound. It would fall to the Emperor to explain how his now all-black companion – while he never weighed more than seven pounds soaking wet – could outrun a cheetah and chew the tires off a Toyota. AUDREY Audrey continued her work at the Buddhist center and did costuming for a local theater group, but she also took a volunteer job with hospice, where she helped people to the other side as she had done for so long in Tibet. The hospice position also, however, gave her access to bodies that had been recently vacated by their souls, and she used these opportunities to cycle the squirrel people back into the human flow of birth and rebirth. And for a while, there were remarkable instances of people recovering from terminal illness in the City, as she exercised the p’howa of undying. She didn’t give up her work with the squirrel people altogether, however, as it was a skill she had come to over a long time and a lot of work, and it could still be extraordinarily rewarding. At least that’s how she was feeling as she looked over her latest masterpiece in the meditation room of the Three Jewels Buddhist Center. He had the face of a crocodile – sixty-eight spiked teeth, and eyes that gleamed like black glass beads. His hands were the claws of a raptor, the wicked black nails encrusted with dried blood. His feet were webbed like those of a waterbird, with claws for digging prey from the mud. He wore a purple silk robe, trimmed in sable, and a matching hat with a wizard’s star embroidered on it in gold thread. â€Å"It’s only temporary, until we find someone,† Audrey said. â€Å"But take my word for it, you look great.† â€Å"No, I don’t. I’m only fourteen inches tall.† â€Å"Yeah, but I gave you a ten-inch schlong.† He opened his robe and looked down. â€Å"Wow, would you look at that,† Charlie said. â€Å"Nice.† A Dirty Job Chapter 27 â€Å"So, checking your appointments?† she said. â€Å"You must be feeling optimistic about how things will go.† He shook his head. â€Å"Not really.† Lily was smitten. He was beautiful and morose – like a great brown man-gift from the gods. â€Å"How bad can it be?† Lily said, pulling the appointment book out of his hand and flipping through the pages. She stopped on today’s date. â€Å"Why is Asher’s name in here?† she asked. Minty hung his head. â€Å"He said you’ve known all about us for a while.† â€Å"Yeah, but – † She looked at the name again and the realization of what she was seeing was like a punch in the chest. â€Å"This is that book? This is your date book for that?† Minty nodded slowly, not looking at her. â€Å"When did this name show up?† Lily asked. â€Å"It wasn’t there an hour ago.† â€Å"Well, fucksocks,† she said, sitting down on the bar stool next to the big man. â€Å"Yeah,† said Minty Fresh. He put his arm around her shoulders. With Charlie pulling on the legs of the bobcat guy (who was doing some impressive screaming considering he had prototype vocal cords) and the squirrel people dog-piling onto the Boston terrier, they were eventually able to extricate their lieutenant from the jaws of the bug-eyed fury with only a few snags in his Beefeater’s costume. â€Å"Down, Bummer,† Charlie said. â€Å"Just chill.† He didn’t know if chill was an official dog command, but it should be. Bummer snorted and backed away from the surrounding crowd of squirrel people. â€Å"Not one of us,† said the bobcat guy, pointing at Bummer. â€Å"Not one of us.† â€Å"You shut up,† Charlie said. He pulled a beef jerky from his pocket that he’d brought for emergency rations, tore off a hunk, and held it out to Bummer. â€Å"Come on, buddy. I told the Emperor I’d look out for you.† Bummer trotted over to Charlie and took the beef jerky from him, then turned to face down the squirrel people as he chewed. The squirrel people made clicking noises and brandished their weapons. â€Å"Not one of us. Not one of us,† chanted Bob. â€Å"Stop that,† Charlie said. â€Å"You can’t get a mob chant going, Bob, you’re the only one with a voice box.† â€Å"Oh yeah.† Bob let his chanting trail off. â€Å"Well, he’s not one of us,† he added in his defense. â€Å"He is now,† Charlie said. To Bummer he said, â€Å"Can you lead us to the Underworld?† Bummer looked up at Charlie as if he knew exactly what was being asked of him, but if he was going to find the strength to carry on, he was going to need the other half of that beef jerky. Charlie gave it to him and Bummer immediately jumped up to a higher, four-foot pipe, stopped, barked, then took off down the pipe. â€Å"Follow him,† Charlie said. After an hour following Bummer through the sewers, the pipes gave way to tunnels that got bigger as they moved along. Soon they were moving in caves, with high ceilings and stalactites in the ceiling that glowed in various colors, illuminating their way with a dull, shadowy light. Charlie had read enough about the geology of the area to know that these caves were not natural to the city. He guessed that they were somewhere under the financial district, which was mostly built on Gold Rush landfill, so there would be nothing as old-looking or as solid as these caves. Bummer kept on, leading them down one fork or another without the slightest hesitation, until suddenly the cave opened up into a massive grotto. The chamber was so large that it simply swallowed up Charlie’s flashlight and headlamp beams, but the ceiling, which was several hundred feet high, was lined with the luminous stalactites that reflected red, green, and purple in a mirror-smooth black lake. In the middle of the lake, probably two hundred yards away, stood a great black sailing ship – tall-masted like a Spanish galleon – red, pulsating light coming from the cabin windows in the rear, a single lantern lighting the deck. Charlie had heard that whole ships had been buried in the debris during the Gold Rush, but they wouldn’t have been left preserved like this. Things had changed, these caves were all the result of the Underworld rising – and he realized that this was just a hint of what was going to happen to the City if the Underworlders took o ver. Bummer barked and the sharp report echoed around the grotto, sending a cloud of bats into the air. Charlie saw movement on the deck of the ship, the blue-black outline of a woman, and he knew that Bummer had led them to the right place. Charlie handed his flashlight to Bob and set his sword-cane on the cave floor. He drew the Desert Eagle from the shoulder holster, checked that there was a round in the chamber, cocked the hammer, then reset the safety and reholstered the pistol. â€Å"We’re going to need a boat,† Charlie said to Bob. â€Å"See if you guys can find something we can make a raft from.† The bobcat guy started down the shore with Charlie’s flashlight, scanning the rocks for useful flotsam. Bummer growled, tossed his head like he had ear mites or perhaps to indicate that he thought Charlie was insane, and ran out into the lake. Fifty yards away he was still only in water up to his shoulder. Charlie looked at the black ship and realized that it was sitting way, way too high out of the water – that, in fact, it was sitting with its hull on the bottom in only about six inches of water. â€Å"Uh, Bob,† Charlie said. â€Å"Forget the boat. We’re walking. Everyone quiet.† He unsheathed his sword and sloshed onward. As they approached the ship they could make out details in its construction. The railings were fashioned from leg bones lashed together, the mooring cleats were human pelvises. The lantern on the deck was, in fact, a human skull. Charlie wasn’t exactly sure how his powers as Luminatus were going to manifest themselves, but as they reached the hull of the ship he found himself very much wishing it would happen soon, and that levitation would be one of the powers. â€Å"We’re fucked,† said Bob, looking up at the black hull curving above them. â€Å"We’re not fucked,† Charlie said. â€Å"We just need someone to climb up there and throw us a rope.† There was some milling around amid the squirrel people, then a lone figure stepped out of the little crowd – this one appeared to be a nineteenth-century French dandy with the head of a monitor lizard. His outfit – the ruffles and the coat – actually reminded Charlie of pictures that Lily had shown him of Charles Baudelaire. â€Å"You can do it?† Charlie asked the lizard guy. He held out his hands and lifted one foot out of the water. Squirrel paws. Charlie lifted the lizard guy as high as he could up to the hull, and the little creature caught ahold in the black wood, then scurried up the side of the ship and over the gunwale. Minutes passed, and Charlie found himself listening hard for some hint as to what was going on above. When the thick rope splashed down next to him, he leapt two feet in the air and barely contained blasting out a full-blown man-scream. â€Å"Nice,† said Bob. â€Å"You first, then,† Charlie said, testing the rope to see if it would hold his weight. He waited until the bobcat guy was about three feet over his head before he tucked the sword-cane down inside the Lexan plate strapped over his back and started the climb himself. By the time he was three-quarters of the way up the rope, he felt as if his biceps were going to pop like water balloons and he entwined his motocross boot into the rope to rest. As if being granted a second wind by the gods, his biceps relaxed and when he resumed climbing he felt as if he might really be gaining his power as the Luminatus. When he reached the railing, he grabbed one of the bone mooring cleats and swung himself up until he sat straddling the rail. He swung around and his headlamp caught the black shine in her eyes. She was holding the bobcat guy like an ear of corn, her claw driven through his skull, pinning his jaw shut. There was flesh and goo glowing dull red, running down her face and over her breasts as she tore another bite out of the Beefeater. â€Å"Want some, lover?† she said. â€Å"Tastes like ham.† At the breakfast bar in Charlie’s apartment, Lily said, â€Å"Shouldn’t we tell them?† â€Å"They don’t all know about us. About this.† Minty held the date book. â€Å"Just Audrey.† â€Å"Then shouldn’t we tell her?† Minty looked at Audrey, who was sitting on the couch entwined in a sleepy pile with Charlie’s sister and one of the hellhounds, looking very content. â€Å"No, I don’t think that would serve any purpose right now.† â€Å"He’s a good guy,† Lily said. She snatched a paper towel off the roll on the counter and dabbed her eyes before her mascara went raccoon on her again. â€Å"I know,† Minty said. â€Å"He’s my friend.† As he said it, he felt a tug on his pant leg. He looked down to where Sophie was staring up at him. â€Å"Hey, do you have a car?† she asked. â€Å"Yes, I do, Sophie.† â€Å"Can we go for a ride?† Without any hesitation, Charlie whipped the sword-cane out of his back and snapped it down on the Morrigan’s wrist. She lost her grip on the bobcat guy, who bolted, screaming, across the deck and over the opposite railing. The Morrigan grabbed the sword-cane and tried to wrench it from Charlie’s grasp. He let her – pulled the sword free, then drove it into her solar plexus so hard that his fist connected with her ribs and the blade came out her back, sinking into the wooden hull of the lifeboat she was reclining against. For a split second his face was an inch from hers. â€Å"Miss me?† she asked. He rolled away just as she slashed at him. He got his forearm up just in time to deflect the blow away from his face, the thick Lexan plate on his forearm stopping the claws from taking off his hand. She lunged for him, but the sword kept her pinned to the boat. Charlie ran down the deck away from her as she screeched in anger. He saw light coming from a door that must have led to the cabin at the aft of the ship – that same red glow – and he realized that it had to be coming from the soul vessels. Rachel’s soul could still be in there. He was only a step from the hatch when the giant raven dropped in front of him and spread her wings out across the deck, as if trying to block the whole end of the ship. He backpedaled and drew the Desert Eagle from the shoulder holster. He tried to hold it steady as he clicked off the safety. The Raven snapped at him and he leapt back. The beak then pulled back, changed, bubbled into the face of a woman – but the wings and talons remained in bird form. â€Å"New Meat,† said Macha. â€Å"How brave of you to come here.† Charlie pulled the trigger. Flame shot a foot out of the barrel and he felt as if someone had hit him in the palm with a hammer. He thought he had aimed right between her eyes, but the bullet had ripped through her neck, taking half of the black flesh with it. Her head lolled to the side and the raven body flailed its wings at him. Charlie fell backward onto the deck, but pulled the pistol up and fired again as the raven was coming down on him. This one caught her in the center of the chest and sent her flying backward, up onto the cabin roof. The ringing in his ears felt like someone had driven tuning forks into his head and hit them with drumsticks – a long, painful, high-pitched wail. He barely heard the shriek from his left as another Morrigan dropped out of the rigging behind him. He rolled to the railing and brought the gun up just as she slashed at his face. The gun and his forearm pad absorbed most of the blow, but the Desert Eagle was knocked from his grasp and slid down the deck. Charlie did a somersault to his feet and ran after the gun. Nemain flicked her claws at his back and he heard the sizzle as the poison strafed the Lexan pad down his spine and burned onto the deck on either side of him. He dove for the pistol and tried to roll and come up with it pointed at his attacker, but he misjudged and came up with the back of his knees against the bone railing. She leapt, claws first, and hit him in the chest just as he fired the Desert Eagle and he was driven backward over the railing. He hit flat on the water. The air exploded from his body and he felt like he’d been hit by a bus. He couldn’t breathe, but he could see, he could feel his limbs, and after a couple of seconds of gasping, he finally caught a breath. â€Å"So, how’s it going so far?† asked the bobcat guy, about two feet from Charlie’s head. â€Å"Good,† Charlie said. â€Å"They’re running scared.† There was a big chunk bitten out of the middle of Bob’s torso, and his Beefeater uniform was in tatters, but otherwise he seemed in good spirits. He was holding the Desert Eagle cradled in his arms like a baby. â€Å"You’ll likely need this. That last shot connected, by the way. You took off about half of her skull.† â€Å"Good,† Charlie said, still having a little trouble catching his breath. He felt a searing pain in his chest and thought he might have broken a rib. He sat up and looked at his chest plate. The Morrigan’s claws had raked the front of it, but in one spot he could see where a claw had slipped under the plate and into his chest. He wasn’t bleeding badly, but he was bleeding, and it hurt like hell. â€Å"Are they still coming?† â€Å"Not the two you shot. We don’t know where the one you stuck with your sword went.† â€Å"I don’t know if I can make it up that rope again,† Charlie said. â€Å"That may not be a _roblem,† Bob said. He was looking up to the ceiling of the grotto, where a whirlwind of squeaking bats was spiraling around the mast, but above them was beating the wings of another creature altogether. Charlie took the pistol from Bob and climbed to his feet, nearly fell, then steadied himself and backed away from the hull of the ship. The squirrel people scattered around him. Bummer let loose with a fusillade of angry yapping. The demon hit the water about thirty feet away. Charlie felt a scream rising in his throat but fought it down. The thing was nearly ten feet tall, with a wingspan of thirty feet. Its head was as big as a beer keg, and it appeared to have the shape and horns of a bull, except for the jaws, which were predatory, lined with teeth, like a cross between a shark and a lion. Its eyes were gleaming green. â€Å"Soul stealer,† it growled. It folded its wings into two high points behind its back, and stepped toward Charlie. â€Å"Well, that would be you, wouldn’t it?† Charlie said, a little breathless still. â€Å"I’m the Luminatus.† The demon stopped. Charlie took the hesitation to bring up the pistol and fire. The shot took the demon high in the shoulder and spun him to the side. He turned back and roared. Charlie could smell the creature’s breath, like rotting meat, wash over him. He backed up and fired again, his hand numb now from the recoil of the big pistol. The shot knocked the demon back a step. There was shrill cheering from above. Charlie fired again and again. The slugs opened craters in the demon’s chest. He wavered, then fell to his knees. Charlie aimed and pulled the trigger again. The gun clicked. Charlie backed up a few more steps and tried to remember what Minty had shown him about reloading. He managed to hit a button that released the clip from the pistol, which plopped into the water. Then he unsnapped one of the pouches under his arm to retrieve an extra clip. It slipped out and fell into the lake as well. Bob and a couple of the squirrel people splashed forward and started diving beneath the water, looking for the clip. The demon roared again, unfurled his wings, and, in one great flap, pulled himself to his feet. Charlie unsnapped the second clip and, with his hands shaking, managed to fit it into the bottom of the Desert Eagle. The demon crouched, as if to leap. Charlie jacked a shell into the chamber and fired at the same time. The demon fell forward as the huge slug took a chunk out of his thigh. â€Å"Well done, Meat!† came a female voice from above. Charlie looked up quickly, but then back to the bullheaded demon, who was on his feet again. Then he braced his wrist and fired, and again, walking forward, pumping bullets into the demon’s chest with each step, feeling any second as if his wrist would just shatter into pieces from the recoil, until the hammer clicked on an empty chamber. He stopped, just five feet away from the demon when it fell over, facefirst into the water. Charlie dropped the Desert Eagle and fell to his knees. The grotto seemed to be tilting before him, his vision tunneling down. The Morrigan landed on three sides of him. Each had a glowing soul vessel in her claw and was rubbing it on her wounds. â€Å"That was excellent, lover,† said the raven woman standing closest to the fallen demon. Charlie recognized her from the alley. The stab wound his sword had made in her stomach healed over as he watched. She kicked the bullheaded demon’s body. â€Å"See, I told you that guns suck.† â€Å"That was well done, Meat,† said the one to Charlie’s right. Her neck was still knitting back together. She was the one he’d blasted up onto the cabin roof. â€Å"You guys do bounce back with a certain Wile E. Coyote charm,† Charlie said. He grinned, feeling drunk now, like he was watching all this from another place. â€Å"He’s so sweet,† said the hand-job harpy. â€Å"I could just eat him up.† â€Å"Sounds good to me,† said the Morrigan to his left, whose head was still a little lopsided. Charlie saw the venom dripping from her claws, then looked to the wound below his chest plate. â€Å"Yes, darling,† said hand job, â€Å"I’m afraid Nemain did nick you. You really are quite the warrior to have lasted this long.† â€Å"I’m the Luminatus,† Charlie said. The Morrigan laughed, the one in front of Charlie did a little dance step. As she did, the bullheaded demon lifted his head from the water. â€Å"I’m the Luminatus,† said the demon, black goo and water running between his teeth as he spoke. The Morrigan stopped dancing, grabbed one of the demon’s horns, then pulled his head back. â€Å"You think?† she said. Then she plunged her claws into the demon’s throat. He rolled and threw her off, sending her sailing twenty feet in the air to smash into the hull of the ship. The Morrigan behind Charlie patted his head as she passed. â€Å"We’ll be right with you, darling. I’m Macha, by the way, and we are the Luminatus – or we will be in a minute.† The Morrigan fell on the bullheaded demon, taking great chunks of flesh and bone off his body with each slash of their talons. Two took to the air and swept in, taking swipes at the demon, who flailed at them, sometimes connecting, but too weakened from the gunshots to fight effectively. In two minutes it was finished, and most of the flesh had been flayed from it. Macha held his head by the horns like she was holding the handlebars of a motorcycle, even as the demon’s jaws continued to snap at the air. â€Å"Your turn, soul stealer,† Macha said. â€Å"Yeah, your turn,† said Nemain, baring her claws. Macha held the demon head out in front of her, driving it at Charlie. He backed away as the teeth snapped inches from his face. â€Å"Wait a minute,† said Babd. The other two stopped and turned to their sister, who stood over what was left of the demon’s corpse. â€Å"We never got to finish.† She took one step before something hit her like a ball of darkness, knocking her out of sight. Charlie looked at the demon head coming at him, then there was a loud smack and Macha was yanked to the side as if she’d had a bungee cord attached to her ankle. The screeching started again and Charlie could see the Morrigan being whipped around in the darkness, splashing, and chaos – he couldn’t follow what was happening. His eyes wouldn’t focus. He looked to Nemain, who was now coming at him with her claws dripping venom. A small hand appeared at the edge of his vision and the Morrigan’s head exploded into what looked like a thousand stars. Charlie looked to where the hand had appeared before his eyes. â€Å"Hi, Daddy,† Sophie said. â€Å"Hi, baby,† Charlie said. Now he could see what was happening – the hellhounds were tearing at the Morrigan. One of them broke, jumped into the air and unfurled her wings, then dove at Sophie, screeching. Sophie raised her hand as if she was waving bye-bye and the Morrigan vaporized into a spray of black goo. The souls, thousands of them, that she had consumed over the millennia, floated into the air, red lights that circled the grotto, making the whole huge chamber appear to have been frozen in the middle of a fireworks display. â€Å"You shouldn’t be here, honey,† Charlie said. â€Å"Yes, I should,† Sophie said. â€Å"I had to fix this, send them all back. I’m the Luminatus.† â€Å"You†¦Ã¢â‚¬  â€Å"Yeah,† she said matter-of-factly, in that Master of All Death and Darkness voice that is so irritating in a six-year-old. The hellhounds were both on the remaining Morrigan now, tearing her in half as Charlie watched. â€Å"No, honey,† Charlie said. Sophie raised her hand and Babd was vaporized like the others – the captured souls rose like embers from a bonfire. â€Å"Let’s go home, Daddy,† Sophie said. â€Å"No,† Charlie said, barely able to hold up his head. â€Å"We have something we have to get.† He lurched forward and one of the hellhounds was there to brace him. The whole army of squirrel people was coming around the bow of the ship, each carrying a glowing soul vessel he’d retrieved from the ship’s cabin. â€Å"Is this it?† Sophie said. She took a CD from Bob and handed it to Charlie. He turned it in his hands and hugged it to his chest. â€Å"You know what this is, honey?† â€Å"Yeah. Let’s go home, Daddy.† Charlie fell over the back of Alvin. Sophie and the squirrel people steadied him until they were out of the Underworld. Minty Fresh carried Charlie to the car. A doctor had come and gone. When Charlie came to he was on his bed at home and Audrey was wiping his forehead with a damp cloth. â€Å"Hi,† he said. â€Å"Hi,† Audrey said. â€Å"Did Sophie tell you?† â€Å"Yeah.† â€Å"They grow up so fast,† Charlie said. â€Å"Yeah.† Audrey smiled. â€Å"I got this.† He reached behind his chest plate and pulled out the Sarah McLachlan CD that pulsated with red light. Audrey nodded and reached out for the disc. â€Å"Let’s put that over here where you can keep an eye on it.† As soon as her fingers touched the plastic case the light went out and Audrey shuddered. â€Å"Oh my,† she said. â€Å"Audrey.† Charlie tried to sit up, but was forced back down by the pain. â€Å"Ouch. Audrey, what happened? Did they get it? Did they take her soul?† She was looking at her chest, then looked up at Charlie, tears in her eyes. â€Å"No, Charlie, it’s me,† she said. â€Å"But you had touched that before, that night in the pantry. Why didn’t it happen then?† â€Å"I guess I wasn’t ready then.† Charlie took her hand and squeezed it, then squeezed it much harder than he intended as a wave of pain washed through him. â€Å"Goddammit,† he said. He was panting now, breathing like he might hyperventilate. â€Å"I thought it was all dark, Audrey. All the spiritual stuff was spooky. You made me see.† â€Å"I’m glad,† Audrey said. â€Å"Makes me think I should have slept with a poet so I could have understood the way the world can be distilled into words.† â€Å"Yes. I think you have the soul of a poet, Charlie.† â€Å"I should have made love with a painter, too, so I could feel the wave of a brushstroke, so I could absorb her colors and textures and really see.† â€Å"Yes,† Audrey said, brushing at his hair with her fingers. â€Å"You have such a wonderful imagination.† â€Å"I think,† said Charlie, his voice going higher as he breathed harder, â€Å"I should have bedded a scientist so I would understand the mechanics of the world, felt them right down to my spine.† â€Å"Yes, so you could feel the world,† Audrey said. â€Å"With big tits,† Charlie added, his back arching in pain. â€Å"Of course, baby,† Audrey said. â€Å"I love you, Audrey.† â€Å"I know, Charlie. I love you, too.† Then Charlie Asher, Beta Male, husband to Rachel, brother to Jane, father to Sophie (the Luminatus, who held dominion over Death), beloved of Audrey, Death Merchant and purveyor of fine vintage clothing and accessories, took his last breath, and died. Audrey looked up to see Sophie come into the room. â€Å"He’s gone, Sophie.† Sophie put her hand on Charlie’s forehead. â€Å"Bye, Daddy,† she said. EPILOGUE THE GIRLS Things settled in the City of Two Bridges, and all the dark gods that had been rising to erupt out over the world remembered their place and returned to their domains deep in the Underworld. Jane and Cassie were married in a civil ceremony that was dissolved and sanctioned a half-dozen times over the years. Nevertheless, they were happy and there was always laughter in their home. Sophie went home to live with her Aunties Jane and Cassandra. She would grow to be a tall and beautiful woman, and eventually take her place as the Luminatus, but until then, she went to school and played with her puppies and had a fairly wonderful time as she waited for her daddy to come get her. THE SHOPKEEPERS While Minty Fresh had believed in the adage that in every moment there is a crisis, his belief had been somewhat academic until he started seeing Lily Severo, when it became very practical indeed. Life jumped up several steps for him on the interesting scale, to the point where the Death Merchant part of his existence became the more prosaic of his pursuits. They became renowned around town, the giant in pastels always in company with the short, Gothic chef, but the City really stood up and took notice when they opened up the Jazz and Gourmet Pizza Place in North Beach in the building that had once housed Asher’s Secondhand. As for Ray Macy, Inspector Rivera set him up with a lady pawnbroker from the Fillmore named Carrie Lang, and they hit it off almost immediately, having in common a love of detective movies and handguns, as well as a deep mistrust for most of humanity. Ray fell deeply in love, and true to his Beta Male nature, was doggedly loyal to her, although he always secretly suspected her of being a serial killer. RIVERA Inspector Alphonse Rivera has spent most of his life trying to change his life. He’d worked in a half-dozen different police departments, in a dozen different capacities, and although he was very good at being a cop, he always seemed to be trying to get out. After the debacle with the Death Merchants and the strange, unexplainable things that had gone on around it, he was simply exhausted. There had been a brief time when he’d been able to leave police work and open a rare-book store, and he felt as if that might have been the only time he had ever truly been happy. Now, at age forty-nine, he was ready to try it again: take an early retirement and just read and live in a calm, unevent-filled world of books. So he was somewhat pleased when, two weeks after the death of Charlie Asher, he went to his mailbox to find a substantial envelope that could only be a book. It was like an omen, he thought as he sat down at his kitchen table to open the package. It was a book – what looked like a very rare and bizarre children’s book. He opened it and turned to the first chapter. So Now You’re Death: Here’s What You’ll Need. THE EMPEROR The Emperor enjoyed a happy reunion with his troops and went on to rule benevolently over San Francisco to the end of his days. For leading Charlie into the Underworld, and for his boundless courage, the Luminatus gave Bummer the strength and durability of a hellhound. It would fall to the Emperor to explain how his now all-black companion – while he never weighed more than seven pounds soaking wet – could outrun a cheetah and chew the tires off a Toyota. AUDREY Audrey continued her work at the Buddhist center and did costuming for a local theater group, but she also took a volunteer job with hospice, where she helped people to the other side as she had done for so long in Tibet. The hospice position also, however, gave her access to bodies that had been recently vacated by their souls, and she used these opportunities to cycle the squirrel people back into the human flow of birth and rebirth. And for a while, there were remarkable instances of people recovering from terminal illness in the City, as she exercised the p’howa of undying. She didn’t give up her work with the squirrel people altogether, however, as it was a skill she had come to over a long time and a lot of work, and it could still be extraordinarily rewarding. At least that’s how she was feeling as she looked over her latest masterpiece in the meditation room of the Three Jewels Buddhist Center. He had the face of a crocodile – sixty-eight spiked teeth, and eyes that gleamed like black glass beads. His hands were the claws of a raptor, the wicked black nails encrusted with dried blood. His feet were webbed like those of a waterbird, with claws for digging prey from the mud. He wore a purple silk robe, trimmed in sable, and a matching hat with a wizard’s star embroidered on it in gold thread. â€Å"It’s only temporary, until we find someone,† Audrey said. â€Å"But take my word for it, you look great.† â€Å"No, I don’t. I’m only fourteen inches tall.† â€Å"Yeah, but I gave you a ten-inch schlong.† He opened his robe and looked down. â€Å"Wow, would you look at that,† Charlie said. â€Å"Nice.†

The comparative analysis of The Secret Life of Walter Mitty and The Essay

The comparative analysis of The Secret Life of Walter Mitty and The Necklace - Essay Example The comparative analysis of â€Å"The Secret Life of Walter Mitty† and â€Å"The Necklace† To begin with, James Thurber’s â€Å"The Secret Life of Walter Mitty† and Guy de Maupassant’s â€Å"The Necklace† have much in common thematically. Specifically, both of them examine relationships between a husband and a wife in a marriage. Even more, both stories center on roles played by major characters in marriage. For example, in â€Å"The Secret Life of Walter Mitty†, James Thurber creates a portrayal of a marriage which is not typical at all. The protagonist Mr Walter Mitty is husband to a woman who plays a dominant role. The way she acts may even be called authoritarian. Besides, she bears the burden of duties typical for a male partner in a marriage. In particular, Mr Mitty’s wife runs the house. In this context, whatever happens, Mrs Mitty behaves as if she was Mr Mitty’s boss. At the same time, Mr Mitty is treated as if he was of a considerably lower status. Having taken up Mr Mitty’s role, his wife acts in a manner t ypical for a man rather than a woman. Respectively, Walter performs the role of a woman in marriage, a child, or whatever Mrs Mitty thinks he is. To illustrate, once Mrs Mitty returns home from the hairdresser’s and meets Walter in a hotel, she pushes him in shoulder and addresses her husband in a rough manner not typical for a woman. Because of this, their conversation looks more like quarrelling. For instance, â€Å"Something struck his shoulder. â€Å"I've been looking all over this hotel for you,† said Mrs. Mitty. â€Å"Why do you have to hide in this old chair? How did you expect me to find you?† â€Å"Things close in,† said Walter Mitty vaguely. â€Å"What?† Mrs. Mitty said. â€Å"Did you get the what's-its-name? The puppy biscuit? What's in that box?† (Thurber, 2011) The foregoing example and other examples in the story allow claiming that Mr Mitty’s wife has such character traits that evidence her masculinity. Apparently, she is a kind of a woman that is not likely to be admired by men. Indeed, her masculinity and acting in a manlike manner would divert any typical male. On a similar note, one of the themes explored by Guy de Maupassant in â€Å"The Necklace† is relationship as well as gender roles within marriage. Yet, the contrasting point is that the woman in the marriage portrayed in the story is very feminine. Unlike Mr Mitty’s spouse, Mathilde is described as â€Å"beautiful† as well as â€Å"charming†, the one who longs to be adored by men. Evidently, this desire is the greatest motive to get expensive things. For example, in the story â€Å"She had no dresses, no jewelry, nothing. And she loved nothing else; she felt herself made for that only. She would so much have liked to please, to be envied, to be seductive and sought after† (Maupassant, 2011). Apart from this, Mathilde’s femininity is demonstrated by her excessive sensitivity and overwhelming emot ions. This adds up to her feminine image especially with the male-dominated world in the background. Also, both stories enjoy the common theme of escapism. To specify, in Thurber’s â€Å"The Secret Life of Walter Mitty†, escapism is the central theme. Walter Mitty is described as â€Å"a middle-aged, middle-class man who escapes from the routine drudgery of his suburban life